Music Theory

Scales: Major, Minor & Scale Degrees

Explore the patterns of whole and half steps that create major and minor scales — the melodic foundation of music.

What Are Scales?

A scale is a sequence of notes arranged in ascending or descending order by pitch. Scales provide the raw material from which melodies and chords are built.

Think of a scale as a palette of notes that "belong together." When you write a melody or build chords using notes from the same scale, the music will sound cohesive and harmonious.

Palette Analogy

A scale is like a set of paint colours. You can use any combination, but sticking to the palette keeps everything looking (and sounding) unified.

Building Block

Chords are built from scale degrees. The I, IV, and V chords of any key come directly from its scale — making scales and chords deeply connected.

The Major Scale

The major scale is the most fundamental scale in Western music. It follows a specific pattern of whole steps (W) and half steps (H):

Major Scale Pattern:
W – W – H – W – W – W – H
W W H W W W H
𝄞 C D E F G A B C W W H W W W H
C Major Scale — W W H W W W H

Major Scales in All Keys

KeyNotes
NATURAL KEY
C MajorC – D – E – F – G – A – B – C
SHARP KEYS
G Major (1♯)G – A – B – C – D – E – F♯ – G
D Major (2♯)D – E – F♯ – G – A – B – C♯ – D
A Major (3♯)A – B – C♯ – D – E – F♯ – G♯ – A
E Major (4♯)E – F♯ – G♯ – A – B – C♯ – D♯ – E
B Major (5♯)B – C♯ – D♯ – E – F♯ – G♯ – A♯ – B
F♯ Major (6♯)F♯ – G♯ – A♯ – B – C♯ – D♯ – E♯ – F♯
C♯ Major (7♯)C♯ – D♯ – E♯ – F♯ – G♯ – A♯ – B♯ – C♯
FLAT KEYS
F Major (1♭)F – G – A – B♭ – C – D – E – F
B♭ Major (2♭)B♭ – C – D – E♭ – F – G – A – B♭
E♭ Major (3♭)E♭ – F – G – A♭ – B♭ – C – D – E♭
A♭ Major (4♭)A♭ – B♭ – C – D♭ – E♭ – F – G – A♭
D♭ Major (5♭)D♭ – E♭ – F – G♭ – A♭ – B♭ – C – D♭
G♭ Major (6♭)G♭ – A♭ – B♭ – C♭ – D♭ – E♭ – F – G♭
C♭ Major (7♭)C♭ – D♭ – E♭ – F♭ – G♭ – A♭ – B♭ – C♭

The Minor Scale

The natural minor scale has a darker, more emotional sound compared to the major scale. It follows a different step pattern:

Natural Minor Scale Pattern:
W – H – W – W – H – W – W
W H W W H W W
𝄞 A B C D E F G A W H W W H W W
A Natural Minor Scale — W H W W H W W

Natural Minor Scales in All Keys

KeyNotes
NATURAL KEY
A MinorA – B – C – D – E – F – G – A
SHARP KEYS
E Minor (1♯)E – F♯ – G – A – B – C – D – E
B Minor (2♯)B – C♯ – D – E – F♯ – G – A – B
F♯ Minor (3♯)F♯ – G♯ – A – B – C♯ – D – E – F♯
C♯ Minor (4♯)C♯ – D♯ – E – F♯ – G♯ – A – B – C♯
G♯ Minor (5♯)G♯ – A♯ – B – C♯ – D♯ – E – F♯ – G♯
D♯ Minor (6♯)D♯ – E♯ – F♯ – G♯ – A♯ – B – C♯ – D♯
A♯ Minor (7♯)A♯ – B♯ – C♯ – D♯ – E♯ – F♯ – G♯ – A♯
FLAT KEYS
D Minor (1♭)D – E – F – G – A – B♭ – C – D
G Minor (2♭)G – A – B♭ – C – D – E♭ – F – G
C Minor (3♭)C – D – E♭ – F – G – A♭ – B♭ – C
F Minor (4♭)F – G – A♭ – B♭ – C – D♭ – E♭ – F
B♭ Minor (5♭)B♭ – C – D♭ – E♭ – F – G♭ – A♭ – B♭
E♭ Minor (6♭)E♭ – F – G♭ – A♭ – B♭ – C♭ – D♭ – E♭
A♭ Minor (7♭)A♭ – B♭ – C♭ – D♭ – E♭ – F♭ – G♭ – A♭

Variations of the Minor Scale

There are three forms of the minor scale. Each has a slightly different sound and function:

Natural Minor

Pattern: W H W W H W W

The basic minor scale. Uses only the notes from the key signature with no alterations. Example: A B C D E F G A.

Harmonic Minor

Pattern: W H W W H WH H

Raises the 7th degree by a semitone. Creates a distinctive "exotic" sound with an augmented 2nd interval. Example: A B C D E F G♯ A.

Melodic Minor

Pattern: W H W W W W H (ascending)

Raises both the 6th and 7th degrees ascending, then reverts to natural minor descending. Example ascending: A B C D E F♯ G♯ A.

Scale Degrees

Each note in a scale has a numbered position called a scale degree, and each degree has a traditional name that describes its function:

1 Tonic
2 Supertonic
3 Mediant
4 Subdominant
5 Dominant
6 Submediant
7 Leading Tone
DegreeNameRoleIn C Major
1stTonicHome base — the "resting point" of the keyC
2ndSupertonicOne step above the tonicD
3rdMediantHalfway between tonic and dominant — determines major/minorE
4thSubdominantThe "other pillar" — often leads to the dominantF
5thDominantCreates the strongest pull back to the tonicG
6thSubmediantHalfway between tonic and subdominant (going down)A
7thLeading ToneOne semitone below tonic — "leads" strongly back to itB